Inscenovanie Sarajeva
| Department | KALD |
| Worktype | A |
| Advisor | TOMÁNEK, Karel, Frant. |
| Author | Gonda, Peter |
| Referee | MAKONJ, Karel |
| Date of thesis defence | 2013-09-16T00:00:01Z |
| Abstract | Bakalárska práca sa zaoberá procesom vzniku bakalárského predstavenia Sarajevo. Predstavenie tématicky vychádza z udalostí vojny v bývalej Juhoslávií a špecificky sa venuje situácií obliehania Sarajeva. Predstavenie formálne súvisí s inscenáciou Endgame, vytvorenou v 4-tom semestri štúdia réžie-dramaturgie KALD DAMU. V prvej časti práci sa autor venuje vzniku a koncepcíí textu Endgame a následnému inscenačnému procesu, a rôznym problémom a ich riešeniam počas celého trvania práce na predstavení. V druhej časti sa autor venuje vzniku predstavenia Sarajevo. Autor sa v záverečnej diskusíí pokúsi zhrnúť svoje náhľady na prostriedky použité v oboch predstaveniach. |
| Translation of abstract | Known to a wider audience is the work of the German theatre theoretician Hans Thies Lehmann. A consistent theme in his seminal work, the book Postdramatic Theatre, is the notion of a heterogenous and adramatic theatre praxis spread across Europe, which serves as a preliminary map of a theatre landscape for the 21st. Century. Key concepts to understand whilst grasping the Postdramatic Theatre theory are the concepts of paralaxis, plethora, simultaneity, musicalization and many others. In this thesis the author expresses his affiliation with, and knowledge of post-dramatic theatre practices. Nevertheless, his thesis he mainly documents the process of initial creation, writing and rehearsal of the theatre plays Endgame and Sarajevo, in the case of the latter facing difficult questions about warrelated topics embedded in the nature of war movies and theatre, as well as stemming from a difficult and diverse historical discourse of the Balkans. Knowing this, the author examines the siege of Sarajevo, through the prism of many diffferent sources, that range from a real-world diary of the 11 years old Zlata Filipovič, to the articles and interviews written and conducted by the only Czech journalist on the ground, Jan Urban. Other topics include: fragmentarisation of narrative, non-chronology, and non-psychological acting. |
| Medium format | appliaction/pdf |
| Signature | D_4P 2916 |
| URL | http://hdl.handle.net/10318/7717 |
| Publishing institution | Akademie múzických umění v Praze.Divadelní fakulta. Knihovna |
| Subject | postdramatické divadlo |
| Subject | Akademie múzických umění v Praze. Katedr |
| Subject | divadelní inscenace |
| Subject | násilí |
| Subject | válka v bývalé Jugoslávii |
| Discipline | Dramatická umění/Režie-dramaturgie alternativního a loutkového divadla |
| Degree-granting institution | Akademie múzických umění v Praze.Divadelní fakulta |
| Degree | BcA. |
| Study programme type | bakalářský |
| Title | Inscenovanie Sarajeva |
| Translation of title | Staging Sarajevo |
| Type of work | Bakalářská práce |